Memaparkan catatan dengan label Internasional. Papar semua catatan
Memaparkan catatan dengan label Internasional. Papar semua catatan

Isnin, 22 Oktober 2018

Rebiu | ROMI & The JAHATs – Playlist For Malaysian Tour 2018


ROMI & The JAHATs – Playlist For Malaysian Tour 2018
Kasih Sayang & Kawan-Kawan
Kalau korang dambakan Punk Rock yang haluannya berada di antara keseronokan riff-riff melodik dan permainan rancak, lagu-lagu yang iramanya tanpa disedari bikin tubuh badan korang bergoyang, nyanyian-nyanyian yang mengundang korang berdendang bersama (singalong), ini band dari kota Jakarta akan penuhi selera korang. “Playlist For Malaysian Tour 2018” mengandungi 11 lagu Punk Rock lazat, lagu-lagu yang cukup sedap untuk santapan telinga dan juga makanan jiwa. Sebahagian lirik-lirik lagu mereka ada ketikanya kedengaran lucu, penuh satira tapi di sebaliknya serius dan cukup kuat mesej-mesej positif yang ada di dalamnya. Cassette-Tape ini dikeluarkan terhad 200 unit sahaja, untuk benefit tour RTJ yang mengadakan jelajah mereka di Singapura dan Malaysia pada 18-22 Oktober 2018. Pernah dengar Marjinal? Ok, RTJ ni musically boleh kata satu kelompok dengan Marjinal, lebih kurang sama tapi tak serupa. RTJ ada something yang buat dorang berbeza. Boleh bayangkan tak? Pening lalat eh? Ok, kalau pening lalat cepat-cepat dapatkan tape ni. Artwork cantik, lirik semua ada!
facebook.com/rtj.official
facebook.com/kasihsayangdkk

Jumaat, 28 September 2018

Eksklusif / Terhad | GENERACION SUICIDA IN MALAYSIA


BANGKIT! FANZINE brings forth an Exclusive Edition: Generacion Suicida in Malaysia. This is in conjunction with their S.E.A Tour 2018 and Malaysia is part of their destination. The band will play in Kuala Lumpur, Penang and Batu Pahat by end of this September. This 24-pages issue contains an exclusive conversation with the band itself; GENERACION SUICIDA from Los Angeles, USA. Also in this issue you will find interviews with TIGER PUSSY (Philippines), DEMISOR (Singapore), INFLUËNZIA (Malaysia), MY OWN VOICE (Italy) and SUFFER THE PAIN (Sweden). Up The Punx!

PAY NO MORE THAN RM3


THIS ISSUE: BET003 ● EXCLUSIVE EDITION ● SEPT.2018

Jumaat, 3 Ogos 2018

Rebiu | CHUUSHABARI KONNYUU BUTA – Early Porks (Bonus: Live in Bryansk, Russia)


CHUUSHABARI KONNYUU BUTA – Early Porks (Bonus: Live in Bryansk, Russia)
Public Perversion / Bloodbath Records
First of all, huge thanks to my old friend Yutaka Kimura for this promo-copy of Chuushabari Konnyuu Buta “Early Porks” CD (2017). This album released under his legendary Bloodbath Records [now relocated in Hanoi, Vietnam] in collaboration with a Vietnamese label, Public Perversion. Chuushabari Konnyuu Buta (which means Needle-Contaminated Pork) is a one-man Brutal Death Metal band from Niigata, Japan. The CD “Early Porks” includes 11 tracks [total duration 37:55 minutes]; 8 studio recordings and 3 bonus tracks recorded during live in Bryansk, Russia (Death Grind Fest #6 in 6th March 2016). Musically, the band plays brutal grinding/slamming Death Metal – totally heavy sound production, slow- to mid-paced groovy riffs, fiercy and gory at all course. The vocals are varies from grunts to squeals and croaks seep in and out of the music. Get this CD and let your ears bleed. Instantly contact: bloodbathrec@hotmail.com or public.perversion@gmail.com.

Khamis, 7 Jun 2018

Interbiu | GENERACION SUICIDA : 05.06.2018


GENERACION SUICIDA is a four-piece band; consisted of Kiwi (drums & vocals), Tony (guitar & vocals), Mario (guitar), and Elias (bass). Based in Los Angeles, they play icy, angular, catchy punk with oscillating male/female vocals creating a serrated edge of paranoia and anxiety [Razorcake #77]. The band is scheduled to have their S.E.A Tour ‘18 by end of September and early October, in which will also include three venues in our country Malaysia; Kuala Lumpur (28 Sept), Penang (29 Sept), and Batu Pahat (30 Sept). Keep your eyes and mark your dates. Here’s an exclusive interview made with the singer/guitarist, Tony on behalf of Generacion Suicida. – Conversation by Pyan Nathias

Hello Generacion Suicida. What’s up today? What was going on in the LA punk scene lately?
Hello! The punk scene in LA is like every other punk scene that we know of. It goes thru its highs and lows. Sometimes there are an incredible number of great bands that just seem to pop out of nowhere and then sometimes there are barely any shows! From my perspective, it seems that this is the case pretty much all over the world, so we should really take advantage when there is a high amount of energy in the scene! Currently, LA is doing well. The summer is here and I call it the summer of shows. Lots of great bands coming thru town on tour and lots of great bands that are currently active in LA. 

Okay, how do you guys got together to form Generacion Suicida? What were among the first ideas behind the existence of the band?
The band started in 2010. We first started as a 3 piece. At the time, we were just a couple of bored friends that were heavily involved in the punk scene. We had all been in previous bands (Asko, Astalkulo, Rayos X, Etc…), had a zine and videozine (Fronteras Desarmadas), and a blog (Cola De Rata). We decided to make GS because we wanted to make a band that sounded different from all the hardcore and street punk that was dominant in the scene at the time. When we started, a lot of people didn’t like our band and didn’t even consider it punk. It was too slow and in those days it was weird for a band to not use distortion on their guitars. I think eventually the fact that we sounded so different really helped us to stand out amongst all the other bands that sounded the same. It wasn’t easy, but it was always fun!


Please describe in details about your musicstyle? Also talk about your own trademark (in music) if any and the bands & sound that influenced Generacion Suicida?
Our style is very twangy. A lot of people have described it as surf/punk. A lot of people also describe it as post-punk. I think like everything our band has gone thru changes and phases. Initially our band had a more surf/twangy style similar to bands like the Vicious or Masshysteri. But as the years went on, I think our style has changed. “Todo Termina” was our more hardcore record with it’s sped up and aggressive sound. “Sombras” was our post-punk/New Wave style record. “Reflejos” is a combination of all of that, with more of an emphasis on melody over everything. These days, people most often compare us to early The Cure. That’s a big change from when we started!

What are your lyrics talked about, and do you think that the messages laid within truly important to your listeners since they’re all sang in Spanish?
Our lyrics talk about everything that affects us as both being young and being latino/a’s in the USA. Everything from love, depression, and loneliness to oppression, police violence, gang violence, and drug addiction/coping. The main reason we sing in Spanish is because we are trying to hold on to our culture in a country where assimilation is the ultimate goal. Being “American” here means speaking only English and following a certain ruleset/mindset. We are often seen as outsiders even though we live in this country and have lived here all our lives, so we’ll embrace the idea and try to hold on to our roots as much as possible. 


Tell us further about some of your latest recordings and releases? 
Our latest record is “Reflejos”. It was released last year (2017) in time for our European tour. It is getting repressed with additional songs and will be available in time for our SEA tour this year. I’m pretty excited with how it came out and I think it is some of our best music yet!

How do you see the band currently progress since the earlier stuffs?
Like I said earlier, our band has gone thru changes and phases. I think it’s totally normal and feel that it’s natural for a band to grow, especially after being a band for almost 10 years. It would be boring to release the same record year after year! I’m excited to see what we’ll sound like in a few years. 


I saw a flyer about your South East Asia Tour 2018 this coming September/October, including 3 venues in my country Malaysia. What do you expect from this tour?
To be honest, I don’t know what to expect. None of us do. I think the shows will be great and we’re super excited just to visit and see the country! I’m excited to see how SEA does punk! 

Do you plan any “special release” for the S.E.A Tour ‘18?
Yes, Secret Records from Malaysia will be releasing all of our discography in special tape format. Keep an eye out for that!

Nazi Punks Fuck Off. Your comments on these nazism, fascism, racism, etc?
Fuck Nazis, fuck fascism, fuck racism. Not much more we can say on that topic, but fuck all that. 

Thank you. Few last words please?
Thanks for having this interview with me! We are all very stoked to be in your country soon and look forward to meeting as many punks as possible on this trip! See you all in September/October!

Sabtu, 28 Oktober 2017

Rebiu | FUTURE HATE – Potboiler


FUTURE HATE – Potboiler
Deadlamb Records / Mystery School Records / Jackhammer Music
This is heavy-sounding Punk Rock, delivered impressively by Alabama’s Future Hate. Their new album “Potboiler” CD 2017 contains 10 tracks of energetic punk anthems, strengthened by Hardcore and Thrash elements. What we have here is a bunch of dynamic guitar riffs and solos, outstanding bass lines and stunning strokes on the drums. The songs are well-composed; infused with lots of innovative ideas and ingenious musical arrangements with a superb female vocalist adding more power to the entire band. It’s full of anger, undoubtedly. This record is quite short. The playtime is only about 14 minutes and a half, but the album is so entertaining. Favourite track? No, I couldn’t mention any single song. I loved them all, and at the end, I was left wanting more from this band.



Special Notes: Thank you Dennis Hyland (the guitarist) for introducing us your band. Also thanks to Jackhammer Music for sending this CD faraway from Tokyo, Japan.

Selasa, 3 Oktober 2017

Interbiu | FLAT SUCKS : 27.09.2017


FLAT SUCKS is scheduled to have a mini tour in Malaysia & Singapura on the coming 28 – 31 October 2017. The band from country known as "Land of the Rising Sun" has put out their new album “Osoru Osoru” few months ago, and will be available here in cassette tape format by Tempang Records. Bangkit! Fanzine has recently arranged a brief conversation with Flat Sucks. Here is the feedback, replied by their vocalist, Kaoru Merda Hayata on 27th September 2017. – Interview by Pyan Nathias

Hello. How’s life in Osaka lately?
Chaos as ever, I saw a cos-play dance team practicing in a local park in the morning. 

Please introduce us the background and line-up of Flat Sucks?
Flat Sucks was formed by students attending to the same university in Kyoto in the Spring of 2010. The band currently consists of Kaoru (Vo), Kaori (Ba), Hiroki (Dr), and a new guitarist Hiroshi who joined them in Summer, 2017. The name of the band “Flat Sucks” means “Being normal sucks”. We recognize ourselves as a “Fantastic Athletic Hardcore Punk Band” because of our eccentric live performances and our variety of different song constructions.


What has the band released so far?
EP: 
The Nap Time (CDR)
Kikaika-Ningen/MaiPenRai (CDR)
Split:
Juanito 4 Guns (Cállate <CL> / Flat Sucks / Venkman <US> / xDeloreanx <IT>) (Cassette, Tobi Records & Ponx Presents) 
Studio Album:
Osoru Osoru (CD, Tani9 Records)

Tell us more about your new album “Osoru Osoru”? Are there any different as compared to the previous one “The Nap Time”?
The first album “The Nap Time” was recorded in the rehearsal studio by ourselves. We really love recording the songs with “raw” sounds as we do in live performance. But we decided to record the new album with the great music engineers in Osaka. This new album, “Osoru Osoru” includes re-recorded songs from “The Nap Time” and brand new songs (#2, #7, #9, #14).


Heard that you’re going to have a mini tour in Malaysia by end of October and have been told that it’ll be your second time here, right? What have you plan and going to expect for this time?
Yes, this is the second time to have a tour in Malaysia. At the first time, we had shows in KL and Johor supported by my man Enol of “Alchemy of Sickness”. Every show had a great success. We really like the underground music scene in SE Asia. People are so nice.
This time, we’ll have a tour with support from Hadi and Kenith of “Tempang Records”, and Hasib of “Azadghei Distro”. And we’ll have shows in KL on 28th, in Batu Pahat on 29th and in Singapore on 31st October. We are so excited to have shows with amazing bands each days. We want to feel local punk culture deeper and deeper. 

Also heard that “Osoru Osoru” will be pressed here on cassette tape by Tempang Records. Say something about it.
Terima kasih, Tempang Records. 
1. The super horrible and beautiful artwork by Kaoru (Vo.)!
2. The music not simply categolized as punk!
3. Listen to Flat Sucks behind the back of your parents!


How would you define the music of Flat Sucks? Where the influences come from?
Well, it’s not so easy to define. Our music is basically hard-core punk, but also new wave in some senses.  You can judge for yourselves!. We are influenced by The Stalin, The Comes, Gauze (JP) and Wire, Dead Kennedys, Minor Threat, Verbal Abuse, and so on. 

What exactly your lyrics all about?
That’s our frustration to shitty world (especially in Japan) and people who place limits on themselves, and BIG love for backpaking at the same time. Mai Pen Rai. 


End up this brief interview with any last words. Thank you & welcome to Malaysia (soon). 
¡El pueblo unido, jamás será vencido!


Remark: As per appeared in Bangkit! #5.5

Ahad, 20 November 2016

Interbiu | HERIDA PROFUNDA : 11.11.2016


HERIDA PROFUNDA is a 4-piece Hardcore Crust / Metalpunk band started by vocalist, Ed in his hometown; Gorzów Wielkopolski, Poland. Guitarist, Jedras and the drummer, Jachu are from Poznań – a city on the Warta River in western Poland. Poznań is basically where the band members usually meet, they start tours from there and regularly rehearse at Rozbrat Squat – the longest occupied space in Poland, houses social, political and cultural activities that oppose the world of Authority and profit, of social and class divisions. Dawid, or his nickname Gavlish (bass) is from Zielona Góra. It’s quite fucked-up situation for the band as said by Ed, but in spite of all these difficulties, we believed that Herida Profunda is among the most promising bands we need to look into, not to mention the two releases they put out are truly amazing! Ed, who have moved and lived in UK for 3 years now, with us at the moment to talk further about Herida Profunda.
Conversation by Pyan Nathias

(1) Hello there. How’s life look like in Poland lately? Does the country still related to and/or practice communism / nazism in their system. Do you believe in and support the ideology?

Hi. I’m a Polish bloke but I don’t live in Poland any more. I have moved to UK in June 2014 but I’m quite often in Poland when we play gigs or have band practice.

Situation in Poland is quite fucked up. We currently have ultra catholic, right wing goverment. Nationalism and far right has become some kind of fucked up fashion.

95% of society are christians: some of them are just statistics for church (cause they were baptised) but don’t give a fuck about religion and some of them are freak fanatics that promote homophobia, sexism and hatred to other cultures or religions.

Nationalists (this is how they call themselfs, but in fact they are just stupid boneheads) are still fighting communism although it has finished in 1989.

Us as a band and I’m sure all of us as private individuals are against both of this totalitar crap. We are left wing but we are not into communism. I guess due to our history. We are conscious enough to know that every extremism is wrong. We are 100% antifascist band. We have always been antifascist even before band started so if you really want to put us in any category: antifascist is correct description.

(2) Tell us anything behind the history of Herida Profunda? What encouraged you to form the band and what the goals for? We also need to know what does the band name stand for?

We played first gig in middle of 2012 but band was forming for a long time before that. We had few lineup change since then cause it was very hard to find people to play in my hometown. I think after our old drummer left the band due to personal reasons in beginning of 2016, Jachu have joned the band and i think now line up is very stable. 

I was doing vocals in other bands since I was a kid so when my last band split up in 2008, I started immediately to work to start something new. “Herida Profunda” was always on back of my mind as a great band name. It means “deep wound” in Spanish so – yes – we are Polish band with Spanish name :) but I think it suits perfectly :)

(3) How would you define and describe the musical sound of Herida Profunda? Based on your debut album and also the split, I heard that it was not just one specified (crust) music file but more than that, the elements of metal, grind and others existed and genuinely blended. Further elaboration please.

We never wanted to define out stuff just with one word or with one genre. Although stuff for split with Hellbastard was done with slightly different line up than our debut and you can hear that our music have changed, I think we still mix all styles and songs are different to each other. We wanted to take the best from all we love: punk, hardcore, metal, grindcore, crust etc. We just do our job and leave pigeonholing to reviewers.

(4) Who and/or What really influenced/inspired the band in making music and also the lyrical writings?

All members try to be involved in making new songs so all out songs is like mixture of ideas – mostly Jedras riffs are the starting point. Then if goes :) there is 4 off us and we listen to loads of bands. We exist in a DIY scene with punk ethics and we love it but for example, me or Jedras, we started our adventure with music as a young metalhead kid – and it always stays with you somehow, so obviously you can hear it in our music :) I’m responsible for lyrics and for me its a way to get rid of frustration and disgust to world we have done and people we become – usurpers of fuckin everything.

(5) Of all, what sorts of message do you put into your lyrics/songs? Why they are all written and sang in your mother-tongue language? Do you think that the messages properly reach and educate your listeners?

We have already considered that, but we unanimously decided to keep lyrics in Polish language. We like it they way it is. Yes, you are right saying that band should reach with their message to listeners. I think there always have to be message along with musical layer. I have no problem to say few words about lyrics during the gig. We always make sure there is a lyrics sheet with a release that will include English translation. All our lyrics (in Polish and English) are also available on our bandcamp.

(6) Let us know everything about your debut “selftitled” full-length (2013). How hard to make it out as the first attempt from Herida Profunda? Do you really proud with the end product; the recordings, the productions, packagings and feedbacks you got for it?

It was a hard start. We didn’t even have demo recorded and we decided to release debut full-length. I have transformed booking crew that I was involved in (not active any more) into DIY record label and release CD version. We have asked tons of record labels to do cooperation and release LP version. Finally we end up with 8 or 9 labels putting this out. Jedras (who was not a member of the band at that time) recorded all songs in his studio @ Rozbrat Squat – later when our bass player left the band he joined the band. I still like this stuff. We’ve got some good reviews and even after 3 years of releasing CD and LP there are still some limited tape runs released in various countries. Maybe we even consider LP repress some day :)

(7) So many versions of it, right? It shown that the name of Herida Profunda was widely spreaded and your music has been heard everywhere.

Yes, I have big discogs update to get together all versions and I think its 14 different versions right now: CD, LP + 12 limited tape releases in various country + 1 ongoing to be released soon :) I think it started naturally. We’ve got a chance to release tape version in Indonesia first, then I talked with our friends in Germany to do limited run and so on... so on... it spreaded across the globe :) 

We want to keep tape releases highly limited, in some special packaging (some are in cardboard boxes, some have a wax stamp, different colours of tape etc) to make it somehow special. And yeah! its a good way to spread our stuff in the other side of the world.

(8) Later in September 2015 the band back to strike with the second effort, in the form of split LP/CD teamed up with Hellbastard. The artworks on the picture disc looks wonderful. Who was behind those amazing arts?

Artwork for our side of the split was done by Rafal “Wechter” Wechterowicz from Too Many Skulls. He is amazing drawer and made quite big carrier on this. Luckily for us, he is a friend of the band that lives in same city and he is true DIY hardcore/punk kid (not so young anymore for a kid :D) and he agreed to work with us on this. Cris from WOOAAARGH also deserves big “thank you” for putting both CD and picture disc print outs and artwork together.

(9) Musicwise, what lies within your new musical compositions (in the split) that are (you think) more than what were offered via the debut? The energy? The improvised ideas? Whatsoever?

I think there is a big difference between out first LP and split with Hellbastard from the music point of view and its because all songs (riffs) for split with Hellbastard were mainly composed by Jedras – where first album were done with Mahau (who left the band just after recording session of 1st LP). I’m still hoping we are mixing all styles and not closing ourselfs just in one genre but split with Hellbastard have definitely more metal riffs. You can tell that Jedras is a Slayer and Napalm Death freak, hehehe!

(10) How do you managed to get huge collaborations by/from so many record/production labels for the split releasing and distributions? Do you see the split as another essential step taken by Herida Profunda and highly satisfied with it?

It was a big project to handle for me and Cris from WOOAAARGH – he took care of pressing vinyls and send out to other labels – but luckily everything went quite smooth. I was asking labels if they want to join the release. Cris was talking with already confirmed labels about collecting money for pressing, info / logos for artworks etc. It took a long time but after all we got enough labels to press 1000 copies of picture disc (200 copies comes with limited cover). Me personally, I’m very happy from final effect. I know some people don’t like picture disc releases but I love how it looks and I think it was a very good step for us as a band.

(11) Do you have any better than words to describe the UK’s metalpunk pioneer Hellbastard?

Definitely “Ripper Crust” started new era in UK’s (and I think not only) scene. Of course it’s hard to say nowadays that Hellbastard plays crust because their music changed a lot but I just love Scruff’s determination and passion – you can hear it in Hellbastard songs! Scruff is almost 20 years older then me and sometimes he have more energy and ideas then I do! I’m sure he will continue making new stuff and releasing new albums as long as he can cause its just something what keep him alive. I’m very happy to share release with Hellbastard.

(12) What are some of the most memorable live shows that the band participated in as to date? What could be the best description to depict Herida Profunda on stage?

We love to play gigs. We use to play lot more of them but now when I live in UK and rest of the band lives in Poland, its not as easy to tour. Still we try to play as often as possible. There was many awesome shows that we played. Some of them were quite unique: squatted public toilet or old and ruined tank factory in middle of forest :) I remember we played in a venue that was located near to slaughterhouse and you could hear pigs coming out of the building. We talked a lot about this during the gig, about vegan / vegetarian lifestyle. Few days later we received email from someone who saw us that night and decided not to eat meat after that gig. Fuck!! what a feeling. It was a first time when we felt that the message is really gets to people. I hope every Herida Profunda gig is received that way by public. That this is all more than just a music and having a beer on a gig.

(13) How do you rate the power of do-it-yourself (DIY) in the independent music scene these days? Does it practically relevant to please and to ensure the survival of underground bands like Herida Profunda?

Herida Profunda is 100% DIY band. Until now, every single tour we played was organized by us – not any booking agency. We are participating in releasing our stuff. Basically if not DIY movement our band would not exist. And I’m sure its a same story with millions of bands. Its all about helping and supporting each other. I think best thing about DIY scene is friendly attitude and that feeling that you can trust someone even I its a first time you see the person.

(14) What could be expected from the band in the near future? Do you have already write and record any new tracks?

Yes, we are doing some new songs. We are thinking about 2nd full-length but hopefully we will release 7" split before that. We are already planning some tours for 2017. We will play Eastern Europe (Latvia, Lithuania, Estonia) in March, then we play week tour in Spain with lovely grinders from Himura and we will play August summer tour and play at Chimpy Fest in London. So it will be busy year :) hopefully we will get enough days off at work :D

(15) Thanks for spending your time on this interview. You are free to express few last words on behalf of the Herida Profunda and please don’t forget to leave us with a nice message written in Polska?

Thanks a lot for interview. Come and say hello on the gigs! Our stuff is available for free download on our bandcamp so feel free to check it out. Na zdrowie!


heridaxprofunda@gmail.com

Nota: Interbiu ini dilaksana bagi tujuan kontribusi kepada zine HERMYTH #8, kendalian saudara Mohd Azman Aziz dari Melaka. Hubungi: 0172796369.

Isnin, 7 November 2016

Interbiu | RADIGALS : 02.11.2016


RADIGALS adalah sekumpulan empat gadis radikal dari Kota Singa yang tidak perlu lagi diragukan keupayaan mereka dalam melantunkan irama Hardcore. Amarah dan suara tuntutan mereka cukup garang kedengaran menerusi lagu-lagu dan lirik tulisan band berkaliber ini. Ternyata status “wanita” yang ada pada gadis-gadis manis ini bukan satu sekatan untuk bergerak ke hadapan dalam bermain muzik keras Hardcore yang bukan juga calang-calang bikinannya. Ini wirawati Radigals, pejuang suara-suara wanita!
Temubual oleh Pyan Nathias

(1) Apa khabar? Terima kasih sudi untuk ditemubual. Sebagai pengenalan, boleh kalian kongsikan sedikit bagaimana tercetusnya idea dan perjalanan awal penubuhan band Radigals?

Alin: Khabar baik sekali. Terima kasih juga kepada anda kerana ingin interview kami. Sebelum kami bermula, kami mahu beritahu yang bahasa melayu kami kurang fasih hahah kerana sudah kebiasaan berbual campuran inggeris dan bahasa. Jadi harap maklum ya jika bahasa kami sucks. Hahah.

Esty: Radigals ditubuhkan dalam tahun 2012, kami sering lihat antara satu sama lain di shows tetapi tidak pernah berbual atau mengenali. Aku sama ex-vokalist Radigals memang sudah punya plan untuk buat band cuma kami tidak punya ramai kawan wanita di dalam scene hardcore di sini. Jadi masa tu, band All for Nothing main di Singapore lalu dia berkenalan sama beberapa wanita lain. Dari itu, kami mengajak Alin untuk bermain guitar sama kami. Dan kami mengajak satu drummer wanita metal yang kami kenal juga untuk main bersama. Kami berlatih dan main untuk shows, along the way kami ada pertukaran line-up dan sekarang kami punya Aisyah (Vokal), Cheryl (Drums), Alin (Guitar) dan saya, Esty (Bass).

(2) Dari mana kalian perolehi kemahiran bermain alat muzik?

Alin: Alin bermula bermain gitar pada umur 12 tahun. Bermain genre Hardcore pada umur 17 tahun dengan secara bersendirian. Esty belajar bermain bass apabila band ini dicantumkan, melalui youtube video tutorials.

(3) Adakah sukar untuk membentuk sebuah band yang kesemua anggotanya terdiri dari kaum hawa? Bagaimana kalian melihat band-band lain atau keseluruhan scene di mana secara umumnya didominasi oleh lelaki menerima kehadiran Radigals?

Alin: Agak sukar kerana harus melayani perangai masing-masing!! kah kah kah. Gurau aja! Saya percaya setiap band akan mengalami berbagai masalah. Kami tidak langsung rasa didominasi oleh lelaki kerana kami di sini hanya mahu membuat lagu dan berseronok seperti mereka.

Esty: Tidak susah kalau kami semua punya mindset yang sama, hormat antara satu sama lain dan boleh bekerjasama. Ia amat susah kalau kami semua secara individu tak kira apa gender punyai passion yang berbeza.

Alin: Kami amat gembira kerana kami diberikan sokongan dari band-band lain dan juga yang di dalam scene ini. Lebih banyak sokongan dari diskriminasi. Tapi tidak menjejaskan kami langsung.

(4) Pernah tidak Radigals mendapat sebarang kritikan atau sindiran bahawa kalian tidak mampu dan tidak layak bermain muzik keras dan berat seperti Hardcore?

Alin: Pernah!! Pernah sekali Alin disuruh keluar di sebuah gig. Agaknya seseorang tu rasa yang Alin tidak layak bermain musik atau bermain gitar? Tapi pemikiran harus postitif!

Esty: Ramai di antara kami sebenarnya pernah mendapat diskriminasi katakan kami tidak boleh main music, band wanita seperti kami hanya boleh tahan buat sementara sahaja, ada juga memberi komen tentang badan kami dan penampilan kita. Most of the time, we don’t give a fuck la ataupun kami akan berbual sama orang itu secara tegas beritahu mereka jangan ganggu kami dan menyuruhnya beri kami peluang untuk have fun.

(5) Apapun, tahniah kerana Radigals telah membuktikan yang kalian sememangnya sebuah band yang berwibawa, memiliki karisma serta berpotensi besar. Apa definasi sebenar muzik Hardcore bawaan Radigals?

Alin: Terima kasih! Pada kami hardcore itu positivity, friendship, anger dan juga cabaran dalam kehidupan kami.

(6) Ceritakan serba ringkas bagaimana proses sesebuah lagu ciptaan Radigals ditulis? Bahagian-bahagian mana yang dititikberatkan dan diberi lebih keutamaan dalam menyedia dan merakam sesebuah lagu itu?

Alin: Selalunya lyric kami ditulis apabila merasa marah. Pertama, kerana apabila kami marah dan kami tidak boleh buat apa-apa, satu cara untuk melepaskan kemarahan kami adalah secara menulis. Kedua, kami ingin mengongsi kemarahan kami kerana selalunya kemarahan ini adalah tentang orang-orang yang dua muka, tentang cabaran kami hadapi etc.

Esty: Secara keseluruhan, kami tidak punya bahagian yang spesifik, kami mahu menitikberatkan segalanya yang kami ingin memberitahu.

(7) Boleh senaraikan nama band-band yang sering dijadikan rujukan atau sumber inspirasi kepada kalian dalam menentukan halatuju muzikal Radigals?

Alin: Warzone, Expire, Down to Nothing, Suburban Scum. Untuk EP yang akan datang, inspirasi Alin adalah lebih daripada band-band Youth Crew!

Esty: Untuk saya pula, sikit lebih kurang sama dengan Alin cuma saya ada juga influence dari Turning Point, Breakdown, I.C.E, Firewalker, Shrapnel dan macam-macam.

(8) Terbaharu, Radigals telah mengeluarkan sebuah “selftitled” EP mengandungi 7 lagu; termasuk intro dan interlude. Ianya secara independen dalam versi cd-r dan format 8" lathe cut melalui Vanilla Thunder Records. Apa initipati EP ini? Kalian puashati dengan pengeluaran dan sambutan yang diterima?

Alin: Sungguh puas hati!! Ramai yang memberi sokongan mereka pada kami!! Kami berterimakasih kepada Azura Kathleen yang melukis cover kami, Aliff Osman dan Lexi untuk logo kami dan Apit yang menolong membentuk cd kami pada masa yang cepat.

(9) Dua label dari Malaysia; Exit Music dan VAG Records telah bekerjasama merilis EP tersebut dalam bentuk Cassette Tape.  Berikan sedikit komen kalian mengenainya.

Esty: Exit Music dan VAG Records meriliskan EP kami dalam format tape di KL Zine Fest 2016. Kami sangat berbesar hati kerana mereka ingin meriliskan kami sempena Cassette Store Day juga. Kami sangat berterima kasih dan bangga juga kerana kami adalah rilis yang pertama untuk VAG Records. Saya dan Alin dapat menghadiri KL Zine Fest dan Cassette Store Day, sangat gembira apabila bertemu dengan teman-teman di sana dan juga yang membeli tape kami.

(10) Radigals terlebih dahulu memulakan langkah awal menerusi Demo 2013. Bagaimana kalian melihat kepentingan demo ini sebagai sebuah dokumen introduksi Radigals di dalam scene Hardcore/Punk?

Alin: Sangat penting, kerana kami dapat mendedahkan diri kita lebih bukan hanya di dalam scene Singapura, tetapi juga di Malaysia dan Indonesia. Dari demo ini, kami punya organisers dari Johor dan Kuala Lumpur hubungi kami untuk bermain di sana dan dengan secara perlahan, ramai organisers luar dari Malaysia dan Indonesia juga mahu kami bermain di tempat mereka. Kami sangat berbesar hati kerana dapat peluang ini semua. Terima kasih semua kerana menyokong kami!

(11) Apa rangkuman lirik-lirik yang kalian tulis dan laungkan menerusi lagu-lagu Radigals? Adakah tema “wanita” itu sendiri menjadi teras utama dalam penulisan senikata lagu-lagu kalian?

Alin: Kami tidak selalu tulis tentang wanita. Kami hanya ada dua lagu yang ceritakan tentang wanita. Melalui lagu yang lain, rangkuman lirik-lirik lagu kami adalah tentang emosi yang terperap dalam diri kami.

(12) Radigals boleh dikatakan agak kerap beraksi live dalam gig. Pengalaman dan sambutannya sudah tentu pelbagai berdasarkan masa dan tempat. Boleh kalian terjemahkan dalam perkataan bagaimana aksi-aksi kalian di atas pentas? Adakah jantina kalian sedikit-sebanyak membataskan?

Esty: Hahah pada mulanya kami semua amat malu untuk beraksi di atas pentas kerana kami takut terjatuh atau apa-apa. Tetapi sekarang kami bedal saja la, chaos sahaja di atas pentas, saya paling suka turun dari stage dan enjoy bersama crowd apabila bermain bass. Jantina tidak sekali membataskan kami untuk melakukan apa-apa. Kami semua sama, boleh buat apa saja kami mahu.

(13) Terdiri daripada Aisyah (vokal), Alin (gitar), Esty (bass) dan Cheryl (dram); siapa dan bagaimana agaknya kalian di luar daripada bidang muzik?

Esty: Aisyah dan Cheryl bekerja di play house anak-anak kecil. Alin seorang pekerja retail dan photographer, dia juga membuat photo zines menangkap gambar-gambar wanita yang membuat sesuatu untuk perubahan. Esty seorang body therapist, mengurut di spa, membina punk theatre bersama teman yang lain, dan juga membuat zines.

(14) Apa permasalahan utama yang dihadapi golongan wanita di Singapura dan apa juga tindakan-tindakan yang diambil dalam usaha menangani masalah tersebut? Sebagai wanita, apa yang kalian ingin dan harapkan?

Alin: Masalahnya kami adalah minoriti, dan ramai antara kami rasa takut untuk meluahkan apa yang di dalam hati kami atau takut untuk menyumbang di dalam scene ini. Ramai di antara golongan wanita di Singapura tidak sedia untuk dikritik lalu mereka tidak membuat apa-apa tindakan. 

Esty: Antara satu sebab Radigals dicantumkan adalah untuk memberi motivasi dan semangat kepada wanita yang lain untuk memperjuangkan hak wanita. Kami juga sering berbual dan mengenali lain wanita di dalam scene ini, kadang-kala kalau kami lihat muka-muka baru, kami akan mengadakan perbualan dengan mereka membuat mereka selesa di sini. 

Alin: Kami hanya mengharapkan sokongan antara satu sama lain dan membuat benda secara ikhlas, dan jangan takut untuk menjadi diri sendiri.

(15) Sekali lagi terima kasih kerana meluangkan masa untuk interbiu ini. Maklumkan perancangan Radigals di masa hadapan dan sedikit kata-kata penutup?

Alin: Berpositif selalu teman-teman! Buka minda dan hati anda. 

Esty: Terima kasih kepada anda kerana sudi interview kami.

radigalshc.bandcamp.com


Nota: Interbiu ini dilaksana bagi tujuan kontribusi kepada zine DISTOPIA #1, kendalian saudari Sarajevo Amira Maisara. E-mel: zinedistopia@gmail.com.